We amplify voices in music through storytelling, advocacy, and action.
Meet Natalie
Natalie is a music industry advocate, storyteller, and marketing strategist with over ten years of experience bringing projects with purpose to life. As Senior Segment Marketing Specialist for Education at Yamaha Corporation of America, she champions music educators and drives strategic impact in the space.
She is the co-founder, host, and producer of the ReVoicing the Future Podcast, a platform celebrating women's voices and career journeys across the music industry. She also serves as brand and content manager for the Arts Education Data Project and holds board positions with the American String Teachers Association.
At her core, Natalie is driven by advocacy, education, and storytelling — working toward a more equitable music industry for all.
Some things are built. This one was grown.
Natalie Morrison didn't set out to build a media company. She set out to do what she's always done — find the gaps, fill them, and make sure the right voices get heard. Bringing projects with purpose to life.
She learned early on that the music industry is only as strong as the people fighting for it behind the scenes. That lesson became a career. From NAMM to D'Addario to Yamaha, she spent over a decade inside the industry — watching, listening, and building on the side.
Those side projects now have a name. The Remaster Collective.
In music, remastering isn't about creating something new. It's about taking something that already exists and making it sound the way it was always supposed to. That's what advocacy looks like to Natalie. The talent, the stories, the voices — they've always been there. They just haven't always been heard the way they deserve.
The Remaster Collective exists to change that.
Why Remaster?
What are we building?
At the center is ReVoicing the Future — a podcast founded six years ago with Stephanie Lamond and Julia Olsen, dedicated to amplifying women across the music industry. What started as a passion project became an anchor — proof that independent, mission-driven media could find its audience and hold it.
Around it, a growing ecosystem of projects rooted in the same mission. A contributor role with The WiMN, adding her voice to the ongoing conversation around women in music. Collaboration with the Arts Education Data Project, where data and storytelling meet advocacy. Content strategy and brand identity work for organizations that need a trusted, knowledgeable partner inside the industry.
This is a collaborative content hub — a place where organizations, advocates, and change-makers come to develop the stories, strategies, and identities that move the music industry forward.